Peg
Problems
Pegs
are the bugbear of many a lutenist. A well-fitted peg is a vastly more
efficient tuning device than either a machine head or an adjuster, but
a badly-fitted peg can render the instrument unusable.
Sticking
pegs
First
check that the peg has not simply swollen (because the weather has turned
wetter), and jammed in the pegbox. Release it, wind it up again taking
care to push it in just far enough to register securely in the pegbox,
and see if it turns smoothly. If it does not, release the string and
extract the peg from the pegbox. You should see two shiny bands around
the shank, where the peg contacts the pegbox walls. Apply a tiny amount
of peg paste to each of these shiny bands, return the peg to the pegbox
and work it around a few times to distribute the paste. Re-attach the
string. Take care not to overdo the peg paste; you can always apply
more but it is rather difficult to remove it. Peg paste is available
from most music shops, since violin family instruments also use it.
The
peg paste is a dark brown colour. If you have light-coloured pegs and
don't want dark brown stains on them, either be very careful to confine
the paste to those parts of the peg which are hidden in the pegbox walls,
or use a VERY small amount of dry soap instead of peg paste. The soap
is much more slippery so be even more sparing with this than with the
paste.
Slipping
pegs
Rather
controversially I also use peg paste on slipping pegs. I find it ensures
a properly lubricated contact between peg and pegbox, no matter what
the problem may be. Most makers and players recommend applying powdered
chalk to slipping pegs, but I find it ends up everywhere except where
it's needed. In my experience slipping pegs are, in any case, almost
always caused by badly led strings which effectively pull the peg from
the pegbox, and these are easily fixed by rewinding the string. Sometimes
this is because the hole in the peg is drilled at an unhelpful point
along the shank. Drilling another string hole further along the peg
may solve the problem permanently. The string holes may even be drilled
on the part of the peg shank which lies outside the pegbox. This detail
is sometimes seen in old lute pegs and paintings, and is particularly
helpful for the outermost strings on all kinds of lutes, and especially
for the diapasons on theorbos. Drilling a new hole in a peg is a simple
job but remove the peg from the instrument before drilling, and secure
it in a padded clamp. A hand drill offers more control of this fiddly
job than an electric drill, and the best tool is a tiny finger-held
'Archimedes' drill. To avoid weakening the peg too much, use the smallest
drill compatible with the string, and drill the new hole 90 degrees
around the shank from the original one. Clean away any fragments of
wood where the drill breaks through, and with a small file make a small
groove across the hole, in the direction the string will run. This removes
the sharp rim from the hole, which might cut through a thin string.
Pegs
which pop out of the pegbox
We
are all familiar with the scenario where one opens the lute case to
find several strings detuned because the pegs have lost their grip on
the pegbox and popped out. Sometimes pegs even pop during playing, and
this is a nightmare on a theorbo where many of the pegs are out of reach.
The usual culprit is ebony: pegs made from this incredibly hard, black
wood just don't seem to work very well on lutes, though they have been
used effectively for centuries on the violin family. Most makers are
aware of this and will avoid ebony for pegs, choosing to apply black
stain to more friendly fruit woods instead. If your instrument has ebony
pegs the only permanent solution seems to be a new set of pegs, though
if the instrument is normally used in the same place, added care with
temperature and humidity control, plus a good case, can help enormously.
Oval
pegs
Most
peg shanks become oval after some years, because of the different rates
of wood shrinkage across and along the grain. A peg which moves alternately
freely and stickily when turned has become oval. Oval pegs can be trued
up in a peg shaper, which works like a large pencil sharpener. This
job is best done by the maker of the instrument if possible, because
the taper on the peg shaper needs to match that of the reamer used to
shape the holes in the pegbox. If this is not possible, any lute maker
should be able to fix this. This is not a DIY job.
Worn
pegs
Pegs
on older instruments have often worn to the extent that they project
further through the pegbox than they originally did, and this may bring
their heads awkwardly close to the pegbox walls. The best solution is
to rebush the holes in the pegbox, which is a job for a maker. A less
satisfactory solution is to get new, thicker pegs, but these will not
offer such fine tuning adjustments as thin pegs.
Broken
Pegs
Very
occasionally a peg will break off, generally leaving the shank jammed
in the pegbox. This needs to be drilled out carefully by a maker. Do
not try to knock out the stuck peg with hammers and punches.
Twisting
Pegs
Sometimes
one meets pegs where the structure of the peg wood is unable to cope
with the torque: the head of the peg twists but the shank does not move.
The only solution to this is a set of new pegs in a different wood.
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