Discography

Lynda appears on more than 100 CD recordings. The following is a selection of the most recent, and those including significant solo material, and / or unusual instruments.

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Travels with my lute. A recital of renaissance music. Classical Communications Ltd, CCL CDG1114. Available from www.thegiftofmusic.com

A 16th century journey beginning in Venice c.1500 and travelling to London c.1600, by way of Milan, Nürnberg and Paris. Music by Dalza, Francesco da Milano, H. Neusidler, Attaignant, Le Roy, Holborne, Dowland and others, performed on 6 and 7 course G lutes, and bass lute.

 

 

 

Thomas Tallis, The Complete Works, Volume 9. Instrumental Music and Songs. Signum, SIGCD042. Available from Signum Records.

Includes an extraordinarily complex solo lute transcription of a keyboard 'Felix Namque' from one of Matthew Holmes's lute manuscripts, and five lute songs sung by Stephen Taylor (countertenor), plus keyboard solos played by Laurence Cummings (virginals) and Andrew Benson-Wilson (organ), and consort music performed by the viols of Charivari Agréable.

Editor's Choice, Gramophone, December 2004: "A collection of delights ... Particularly noteworthy is the intricate lute version of Felix namque..."

"Another highlight ... was the astonishing lute-solo version of Felix namque II, played brilliantly by Lynda Sayce." Early Music Review, December 2004.

 

Handel, An Ode for St Cecilia's Day / Cecilia, Volgi un sguardo. Hyperion, CDA67463. Available from Hyperion Records.

Editor's choice, Gramophone, October 2004.

Carolyn Sampson (soprano), James Gilchrist (tenor), The King's Consort, Choir of The King's Consort, directed by Robert King.

As well as the expected flute (here played exquisitely by Rachel Brown), Handel included a beautiful 'warbling lute' obbligato in the aria 'The soft complaining flute'. The arpeggiated sections of the lute part lie in a puzzlingly low register, and I have here interpreted them as harmonic sketches and re-voiced them in a more idiomatic register for the D minor lute on which the obbligato is played. I hope that it now warbles rather than rumbles...

 

A Perfecte Harmonie. Classical Communications Ltd, CDG1103. Available from www.thegiftofmusic.com

An international programme of renaissance lute duets with Matthew Spring, on lutes of several sizes, and vihuela: works by Thomas Robinson, John Dowland, John Johnson, Francesco da Milano, Vincenzo Galilei, and others.

 

 

 

Harmonia Caelestis: Caprice and Conceit in Seicento Italy. Signum SIGCD049. Available from Signum Records

Charivari Agréable with Jamie Savan (cornett & mute cornett) and Oliver Webber (violin and viola). For lute afficionados this disc includes obbligato bass parts played on chitarrone and bass lute, my reconstruction of a guitar solo possibly by Filippo Piccinini, and Terzi's divisions on Vestiva i colli, originally for bass lute but here played with spectacular virtuosity by Susanne Heinrich on viola da gamba. This was my last recording with Charivari.

 

 

Monteverdi, Vespro Della Beata Vergine. Yorkshire Bach Choir, directed by Peter Seymour. Cloister, CLOCD0304, available from Cloister Records.

A rare opportunity to hear the continuo-only form of Monteverdi's 1610 Vespers, with the 6-part Magnificat instead of the more frequently performed 7-part version.

 

 

 

New World Symphonies. Ex Cathedra, directed by Jeffrey Skidmore. Hyperion, CDA67380. Available from Hyperion Records.

Mostly 17th century works from the New World. Composers include Araujo, Padilla, Lobo and Zipoli.

"This is one of the most eye-opening CDs - or should I say ear-opening - that I have heard this year. What a magical concoction of sounds - and what brilliant playing!" Henry Kelly’s CD of the week, Classic FM

“Ex Cathedra has unearthed some magnificent music here; there are plenty of fascinating discoveries performed with great feeling and panache, and with potent seasong from the period instruments. The disc has the makings of a bestseller, and certainly deserves to be” Geoffrey Norris, selecting The Telegraph’s CD of the Week

 

Charpentier, Messe à Quatre Choeurs / Le reniement de St. Pierre / Salve Regina. Ex Cathedra, directed by Jeffrey Skidmore. Hyperion CDA67435, available from Hyperion Records.

“Jeffrey Skidmore and his ensemble's expertise has long been established and is everywhere apparent here. The blend of the vocal line is superb and the handling of ornament is little short of breathtaking....” (BBC Music Magazine, April 2004)

“...what a choir, gutsy when required, but flexible enough to cope with Charpentier's ever-changing choiral configurations… this is a thrilling release, and I heartily recommend it.” (International Record Review, March 2004)

“ Such is the quite exceptional quality of these performances, and the sheer splendor of the sound Hyperion's engineers have produced... Suffice it to say that Skidmore once again demonstrates his total empathy with French Baroque repertoire, inspiring his large choral forces to performances that capture a huge gamut of emotions ranging from thrilling grandeur to heartbreaking sublimity. The issue is an absolutely magnificent achievement all round.” (Fanfare, March 2004)

 

The Queen's Goodnight. Charivari Agréable. Signum SIGCD020, available from Signum Records. Music for viol, lute and keyboards, celebrating the 400th anniversary of the death of Queen Elizabeth I in 2003. Works by Byrd, Gibbons, Johnson, Dowland, Hume, Allison, Robinson, etc.

"In other hands, a series of four tracks for solo lute in the middle of a CD could be a mistake, but superb playing makes this a magical moment." Early Music News, November 2002.

"In sum a delightful disc, and a treasure trove of pieces that are very rarely heard." BBC Music Magazine, November, 2002.

 

Music for Gainsborough. Charivari Agréable, with Reiko Ichise. Signum SIGCD026. Available from Signum Records. Works by Abel, J.C.Bach, R.Straube, F. de Giardini, T. Linley.

A rare opportunity to hear mandora continuo, and some of the lute works of Rudolf Straube, a pupil of J.S.Bach. Another highlight is Kah-Ming Ng's virtuosic account of a J.C.Bach sonata on an original 1776 Kirkman harpsichord.

"Lynda Sayce plays her dark 13-string instrument with full expression, clarity, cleanness, and flexibility." American Record Guide, Jan./Feb. 2001

"This ingenious collection, focused on the pre-eminent 18th-century portrait painter, presents a highly entertaining selection of Georgian compositions by London-based composers all of whom were the painter's friends. Particularly impressive and completely unknown to me were a number of pieces by Rudolf Straube for 13-course lute, beautifully interpreted and executed by Lynda Sayce." D. James Ross, Early Music Forum of Scotland.

 

The Fitzwilliam Virginal Book: Transcriptions for a Mixed Consort. Signum SIGCD009, available from Signum Records. Keyboard solos arranged Elizabethan-style, for forces ranging from solo lute to 6-part mixed consort with voice. Lute tracks include a solo arrangement of Orlando Gibbons' 'The Lord of Salisbury his Pavan', and a duet version (with Jacob Heringman) of Giles Farnaby's 'Loth to Depart'.

"The two seven-course lutes playing Farnaby's 'Loth to depart' are pure magic." American Record Guide, May 2000.

"…The solo lute version of Gibbons's majestic The Lord of Salisbury his Pavan has a stylish poise and clarity of part-playing that would be hard to equal on the less flexible virginals." Gramophone.

 

Two Upon A Ground. Charivari Agréable, with Susanna Pell. Signum SIGCD007. Available from Signum Records. Divisions by Christopher Simpson and John Jenkins, plus music by William Lawes, Ennemond Gaultier, Tobias Hume, Godfrey Finger, Henry Purcell and Thomas Tomkins.

A rare opportunity to hear a double-strung English theorbo, playing both continuo and solo (in my arrangement of Gaultier's 'La pompe funebre'.

 

 

 

Music for Philip of Spain and his Four Wives. Charivari Agréable, with Nicki Kennedy (soprano) and Rodrigo del Pozo (tenor). Signum SIGCD006. Available from Signum Records. Music from the Spanish court of Philip II, and from those of his Austrian, Portuguese, English and French wives. Includes vihuela songs and solos by Milan, Pisador and Valderrabano.

"Bravo! An imaginative and polished recording of 16th- and early 17th-century music that effectively conjures up the musical life and times of the court of Philip II. Each of the three regular members of the ensemble has contributed tasteful and plausible arrangements of works, relying to a great extent on Susanne Heinrich’s deeply evocative viol playing and Lynda Sayce’s stylish and accomplished vihuela accompaniments." Gramophone.

 

Vivaldi, "Juditha Triumphans". Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly, Jean Rigby, Choir of The King's Consort, The King's Consort, directed by Robert King. Hyperion CDA678281/2, available from Hyperion Records.

This most colourful of Vivaldi's surviving oratorios includes obbligato parts for just about everything, including four theorbos portraying the clatter and bustle as servants prepare for a feast. The highlight for me was accompanying Ann Murray with an obbligato on baroque mandolin.

 

 

Vivaldi, Concert for the Prince of Poland. The Academy of Ancient Music, directed by Andrew Manze. Harmonia Mundi, HMU 907230.

My baroque mandolin had another outing here, in Vivaldi's hilarious Concerto RV558, for 2 recorders, 2 chalumeaux, 2 mandolins, 2 theorbos, 2 violins 'in tromba marina', cello and strings. The disc also includes a beautiful performance of Vivaldi's concerto RV540 for lute and viola d'amore, played by Nigel North and Andrew Manze.